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The Tasseomancy Museum

Amy received her first two Tasseography cup sets in the early to mid 1990s. Her first cup was the c.1938 Lipton’s Tea (made by JG Meakin) ‘Marigold’ cartomancy style Cup of Knowledge. Then a few years later, she received a c.1978 International Collector’s Guild ZARKA Fortune Telling Cup . It was from that point forward, that she became fascinated with these sets, and all the other commercial items that were created to regular everyday people to foretell their future with their morning cup of tea.

After starting with those two cups, she began collecting in earnest, and in the last 25 years has created a museum with now more than 50 historical cup sets, books, booklets, advertising, postcards, tea company gimmics and giveaways. A collection that spans over 120 years of history related to reading the leaves.

The museum is open to the public during regular business hours, and when Amy is in the shop, she would be happy to take you on a wee tour.

Romany two


A brief history lesson on a pleasant
pastime . . .
Written by Amy Taylor, The Art of Tea and Tasseomancy

People have been drinking tea for about five thousand years, and it is likely they have been reading the leaves of our favorite beverage for as long. Tasseomancy is believed to have begun with the ancient Chinese, who read the residue in the bottom of their cups for patterns, signs, and omens. As tea became more popular and started to make its way around the world, so too did tea leaf reading. And in the 1600s it quickly started to outshine other, older ways of divining the future.

The earliest reference I have found documented for the lead up and into the Art of Tasseomancy is 1610, however, some who go by the Old Testament of the Bible say that it goes back as far as the times of Joseph where there is reference to ‘The Divining Cup’ which was believed to have originated from the ancient Egyptians. But it is more than likely it was the Babylonians as the reference of divining by cup also shows up much earlier in Babylonian texts in about 1800 B.C.

Most people who are familiar with the Art have either heard of it, or experienced it through the very old custom, (and even through my research I found a book written by a woman who is only known as The Highland Seer, in the early 1900s where it is even then, called ‘a very old custom’) it’s believed to have come from the Irish and the Scots where it was called ‘Cup Tossing’.

The Art was long passed down from mother to daughter, grandmother to granddaughter, aunt to niece etc., it was normally a family tradition. Traditionally, tea reading would be done in the morning before one would start their day to see what would unfold, or tea leaf reading would have been done in the afternoon.

By the mid-nineteenth century, porcelain manufacturers began to create Tasseography (Tasse= Cup or Goblet, Graphy= Map, or to, Graph, or Layout, or Write) cups. These cups became quite popular in the late 1800s/early to mid 1900s where the fascination with the occult, and supernatural became more popular. They were generally easy to use, and most Ladies would use them as part of an Afternoon Tea event and Ladies Tea Events, where the hostess would read the fortunes of her guests. These cups came with their own definition booklets, so the use of psychic and intuitive ability was very loosely utilized as the fortune would be determined by what symbol the leaves land on, as apposed to the true form of the art where the leaves create their own patterns, shapes and symbols.

Tasseomancy is the Art and Practice of divination by the interpretation of symbolic patterns made by tea leaves in a teacup. (Tasse = Cup or Goblet, Mancy=Form of Divination). The Art is thought to be largely dependent on psychic intuition. Tea is poured into a cup without the use of a strainer. The one seeking psychic help, the inquirer, drinks the tea in the cup. If any moisture remains it is shaken out onto a napkin. Another method is to leave a little moisture in the cup. This allows the leaves or dregs to be swished around. The cup is the upturned into the saucer. The reader picks up the cup and begins examining the formation of the dregs. The reader would then discern the shapes the leaves would make and tell the Enquirer their fortune based on those shapes and the locations of the cup the leaves were in.

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